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61. | | Title: In a cold crater: cultural and intellectual life in Berlin, 1945-1948 Author: Schivelbusch, Wolfgang 1941- Published: University of California Press, 1998 Subjects: History | German Studies | European History | Literature | Film | MusicPublisher's Description: Although the three conspicuous cultures of Berlin in the twentieth century - Weimar, Nazi, and Cold War - are well documented, little is known about the years between the fall of the Third Reich and the beginning of the Cold War. In a Cold Crater is the history of this volatile postwar moment, when the capital of the world's recently defeated public enemy assumed great emotional and symbolic meaning.This is a story, not of major intellectual and cultural achievements (for there were none in those years), but of enormous hopes and plans that failed. It is the story of members of the once famous volcano-dancing Berlin intelligentsia, torn apart by Nazism and exile, now re-encountering one another. Those who had stayed in Berlin in 1933 crawled out of the rubble, while many of the exiles returned with the Allied armies as members of the various cultural and re-educational units. All of them were eager to rebuild a neo-Weimar republic of letters, arts, and thought. Some were highly qualified and serious. Many were classic opportunists. A few came close to being clowns. After three years of "carnival," recreated by Schivelbusch in all its sound and fury, they were driven from the stage by the Cold War.As Berlin once again becomes the German capital, Schivelbusch's masterful cultural history is certain to captivate historians and general readers alike. [brief]Matches in book (54):...enterprise and relative freedom of the arts. NKVD Russian acronym for Narodnyn......in Berlin, so open to experiment, and in art and spirit so radical, had already......radio, film, theater, music, and art" (288). 78. Clay to McClure, December 14,... Similar Items | 62. | | Title: The humanities in American life: report of the Commission on the Humanities Author: Commission on the Humanities (1978- ) Published: University of California Press, 1980 Subjects: Social ScienceMatches in book (170):...mothers and expanded to include art and music as components of a literacy-in-......to define culture narrowly as the arts, often failing to see the more subtle......Rosovsky, Dean of the Faculty of Arts and Sciences, Harvard University John E.... Similar Items | 63. | | Title: Imaging Aristotle: verbal and visual representation in fourteenth-century France Author: Sherman, Claire Richter Published: University of California Press, 1995 Subjects: Art | Art History | Medieval StudiesPublisher's Description: Nicole Oresme's translation of Aristotle's Nicomachean Ethics, Politics, and Economics into French from Latin in the 1370s is the subject of Claire Sherman's stunningly illustrated book. Though both the text translations and their images have been studied separately, this is the first time they are published in their entirety and considered together.Intended for an audience of Charles V, his counselors, and high-ranking lay people, these manuscripts are significant for their linguistic and political implications, for moving Aristotle's work beyond clerical and university boundaries, and for reflecting the dynamics of monarchic control of French language and culture. Sherman shows the importance of Oresme's role as translator and book designer. She also explores the gender and class representations in the imagery, relating them not only to the views of Oresme and his audience but also to the contemporary secular culture. [brief]Matches in book (223):...Art......1963): 158–73. Yates, Frances A. The Art of Memory . London: Penguin Books,......of the layout, the position of Art and Sapience on the left and right... Similar Items | 64. | | Title: Bolshevik festivals, 1917-1920 Author: Von Geldern, James Published: University of California Press, 1993 Subjects: History | European History | European Literature | Russian and Eastern European StudiesPublisher's Description: In the early years of the USSR, socialist festivals - events entailing enormous expense and the deployment of thousands of people - were inaugurated by the Bolsheviks. Avant-garde canvases decorated the streets, workers marched, and elaborate mass spectacles were staged. Why, with a civil war raging and an economy in ruins, did the regime sponsor such spectacles?In this first comprehensive investigation of the way festivals helped build a new political culture, James von Geldern examines the mass spectacles that captured the Bolsheviks' historical vision. Spectacle directors borrowed from a tradition that included tsarist pomp, avant-garde theater, and popular celebrations. They transformed the ideology of revolution into a mythologized sequence of events that provided new foundations for the Bolsheviks' claim to power. [brief]Matches in book (211):...The October Revolution and the Arts......113 We, 9 Zhizn' iskusstva (The Life of Art) , 98 Zielinski, Tadeusz, 164 Zimin......Osvobozhdennyi trud . Arkhangelsk, 1920. Arts Council of Great Britain. Art in... Similar Items | 65. | | Title: Hellenistic history and culture Author: Green, Peter 1924- Published: University of California Press, 1993 Subjects: Classics | Classical Philosophy | Ancient History | HistoryPublisher's Description: In a 1988 conference, American and British scholars unexpectedly discovered that their ideas were converging in ways that formed a new picture of the variegated Hellenistic mosaic. That picture emerges in these essays and eloquently displays the breadth of modern interest in the Hellenistic Age.A distrust of all ideologies has altered old views of ancient political structures, and feminism has also changed earlier assessments. The current emphasis on multiculturalism has consciously deemphasized the Western, Greco-Roman tradition, and Nubians, Bactrians, and other subject peoples of the time are receiving attention in their own right, not just as recipients of Greco-Roman culture.History, like Herakleitos' river, never stands still. These essays share a collective sense of discovery and a sparking of new ideas - they are a welcome beginning to the reexploration of a fascinatingly complex age. [brief]Matches in book (181):...The Base Mechanic Arts”?......What Is “Hellenistic” about Hellenistic Art?......Martin Robertson, A History of Greek Art (Cambridge, 1975), 445–590. J. J.... Similar Items | 66. | | Title: Opera in seventeenth-century Venice: the creation of a genre Author: Rosand, Ellen Published: University of California Press, 1990 Subjects: Music | Musicology | Opera | European HistoryPublisher's Description: Ellen Rosand shows how opera, born of courtly entertainment, took root in the special social and economic environment of seventeenth-century Venice and there developed the stylistic and aesthetic characteristics we recognize as opera today. With ninety-one music examples, most of them complete pieces nowhere else in print, and enlivened by twenty-eight illustrations, this landmark study will be essential for all students of opera, amateur and professional, and for students of European cultural history in general.Because opera was new in the seventeenth century, the composers (most notably Monteverdi and Cavalli), librettists, impresarios, singers, and designers were especially aware of dealing with aesthetic issues as they worked. Rosand examines critically for the first time the voluminous literary and musical documentation left by the Venetian makers of opera. She determines how these pioneers viewed their art and explains the mechanics of the proliferation of opera, within only four decades, to stages across Europe. Rosand isolates two features of particular importance to this proliferation: the emergence of conventions - musical, dramatic, practical - that facilitated replication; and the acute self-consciousness of the creators who, in their scores, librettos, letters, and other documents, have left us a running commentary on the origins of a genre. [brief]Matches in book (72):...urban fabric. Opera as we know it, as an art appealing to a broad audience, had......interest and excitement in the new art. Their success created a market for opera......preeminence. Once representatives of the art, they became its very embodiment.... Similar Items | 67. | | Title: Giambologna: narrator of the Catholic Reformation Author: Gibbons, Mary Weitzel 1929- Published: University of California Press, 1995 Subjects: Art | Art HistoryPublisher's Description: Arguably the pre-eminent European sculptor of his age, but historically considered little more than the facile court sculptor to the grand dukes of Florence, Giambologna played a major role in the artistic transformations of the late sixteenth century. Mary Weitzel Gibbons seeks to broaden our hitherto limited view of Giambologna's work by considering his neglected Genoese masterpiece, the Grimaldi Chapel. Although the chapel itself was destroyed during the Napoleonic period, its dazzling bronzes of Virtues and angel-putti and a Passion cycle in relief have survived. The fine detail and rich color of the bronzes are featured in color plates and black-and-white images photographed especially for this book.Gibbons reassesses Giambologna's work, clearly defining his relation to the narrative tradition and his role as an artist of the Catholic Reformation. Her new insights into the artist's work will appeal to all those intrigued by this turbulent era in Western European history. [brief]Matches in book (151):...Queensland Art Gallery, in Brisbane, Giambologna's work at, 179 , 185......on the Painting of the Maniera." Art Bulletin 47 (1965): 187-97. ———. Painting......del Gonfalone and Its Oratory in Rome: Art and Counter-Reformation Spiritual... Similar Items | 68. | | Title: Urban forms and colonial confrontations: Algiers under French rule Author: Çelik, Zeynep Published: University of California Press, 1997 Subjects: Architecture | Middle Eastern Studies | Middle Eastern History | French Studies | Postcolonial StudiesPublisher's Description: During its long history as the French colonial city par excellence , Algiers was the site of recurrent conflicts between colonizer and colonized. Through architecture and urban forms confrontations were crystallized, cultural identities were defined, and social engineering programs were shaped and challenged. In this pathbreaking book, Zeynep Çelik reads the city of Algiers as the site of social, political, and cultural conflicts during the 132 years of French occupation and argues that architecture and urban forms are integral components of the colonial discourse.Algiers' city planning, based on what Çelik calls "the trial-and-error" model of French colonial urbanism, included the fragmentation of the casbah, ambitious Beaux Arts schemes to create European forms of housing, master plans inspired by high modernism, and comprehensive regional plans. Eventually a dramatic housing shortage led all planning efforts to be centered on the construction of large-scale residential enclaves. French architects based their designs for domestic space on the concept of the "traditional house," itself an interdisciplinary colonial concept intertwined with the discourse on Algerian women. Housing also offered the French colonizers a powerful presence in a country where periodic resistance to the occupation eventually culminated in a seven-year war of liberation and an end to French rule.Extensively illustrated with photographs, maps, and housing plans, Çelik's book presents a fascinating example of colonial urban planning. Algiers comes alive as a city that reflected all the conflicts of colonialism while embracing innovation. [brief]Matches in book (37):...Confrontations with Twentieth-Century Art. New York, 1972. Thornton, L. The......104, Washington University Gallery of Art, St. Louis, Steinberg Fund, 1960, ©......Linda Nochlin, "The Imaginary Orient," Art in America 71, no. 5 (May 1983): 120-... Similar Items | 69. | | Title: Loyola's acts: the rhetoric of the self Author: Boyle, Marjorie O'Rourke 1943- Published: University of California Press, 1997 Subjects: Literature | Renaissance History | Christianity | Rhetoric | Art History | Medieval HistoryPublisher's Description: This revisionist view of Ignatius Loyola argues that his "autobiography" - until now taken to be a literal, documentary account - is in reality a work of rhetoric, a moral narrative that exploits the techniques of fiction. In radically reinterpreting this canonical text, our main source of information about the founder of the largest and most powerful religious order in Roman Catholicism, Boyle paints a vivid picture of Loyola's world. She surveys rhetorical and artistic theory, religious iconography, everyday custom, and an astonishing array of scenes and subjects: from curiosity, to codes of honor, to the holy places of Spain, to the significance of apparitions and flying serpents.Written in the tradition of Renaissance studies on individualism, Loyola's Acts engages current interest in autobiography and in the history of private life. The book also provides a powerful heuristic for interpreting a wide range of texts of the Christian tradition. Finally, this secular treatment of a canonized saint provides revealing insights into how a prestigious sixteenth-century figure like Loyola understood himself. [brief]Matches in book (196):...21, 25. 208. Frances A. Yates, The Art of Memory (Chicago: University of Chicago......arte tripudii: On the Practice or Art of Dancing. Ed. Barbara Sparti. Oxford:......Aristotle, Rhetorica 3.14.6; The "Art" of Rhetoric , trans. John Henry Freese (... Similar Items | 70. | | Title: Crescendo of the virtuoso: spectacle, skill, and self-promotion in Paris during the Age of Revolution Author: Metzner, Paul 1952- Published: University of California Press, 1998 Subjects: History | European History | French Studies | European StudiesPublisher's Description: During the Age of Revolution, Paris came alive with wildly popular virtuoso performances. Whether the performers were musicians or chefs, chess players or detectives, these virtuosos transformed their technical skills into dramatic spectacles, presenting the marvelous and the outré for spellbound audiences. Who these characters were, how they attained their fame, and why Paris became the focal point of their activities is the subject of Paul Metzner's absorbing study. Covering the years 1775 to 1850, Metzner describes the careers of a handful of virtuosos: chess masters who played several games at once; a chef who sculpted hundreds of four-foot-tall architectural fantasies in sugar; the first police detective, whose memoirs inspired the invention of the detective story; a violinist who played whole pieces on a single string. He examines these virtuosos as a group in the context of the society that was then the capital of Western civilization. [brief]Matches in book (222):...Oeuvres complètes, vol. 1, p. 5; Carême, Art de la cuisine française, 1981 ed. ,......Paris ed. , 1846), unpaginated. Carême, Art de la cuisine française, 1981 ed. ,......vol. 1, p. lxvi; Cussy, “L’Art culinaire,” in Classiques de la table, 1855 ed. ,... Similar Items | 71. | | Title: Empire of ecstasy: nudity and movement in German body culture, 1910-1935 Author: Toepfer, Karl Eric 1948- Published: University of California Press, 1997 Subjects: Cinema and Performance Arts | German Studies | Gender Studies | DancePublisher's Description: Empire of Ecstasy offers a novel interpretation of the explosion of German body culture between the two wars - nudism and nude dancing, gymnastics and dance training, dance photography and criticism, and diverse genres of performance from solo dancing to mass movement choirs. Karl Toepfer presents this dynamic subject as a vital and historically unique construction of "modern identity." The modern body, radiating freedom and power, appeared to Weimar artists and intelligentsia to be the source of a transgressive energy, as well as the sign and manifestation of powerful, mysterious "inner" conditions. Toepfer shows how this view of the modern body sought to extend the aesthetic experience beyond the boundaries imposed by rationalized life and to transcend these limits in search of ecstasy. With the help of much unpublished or long-forgotten archival material (including many little-known photographs), he investigates the process of constructing an "empire" of appropriative impulses toward ecstasy. Toepfer presents the work of such well-known figures as Rudolf Laban, Mary Wigman, and Oskar Schlemmer, along with less-known but equally fascinating body culture practitioners. His book is certain to become required reading for historians of dance, body culture, and modernism. [brief]Matches in book (248):...Graphic Arts......reason it can at best build a bridge to an acceptable practical art, never to......a high art, which always demands something unconditional" (HFK 218).... Similar Items | 72. | | Title: Russia's last capitalists: the Nepmen, 1921-1929 Author: Ball, Alan M Published: University of California Press, 1990 Subjects: History | European History | Russian and Eastern European StudiesPublisher's Description: In 1921 Lenin surprised foreign observers and many in his own Party, by calling for the legalization of private trade and manufacturing. Within a matter of months, this New Economic Policy (NEP) spawned many thousands of private entrepreneurs, dubbed Nepmen. After delineating this political background, Alan Ball turns his attention to the Nepmen themselves, examining where they came from, how they fared in competition with the socialist sector of the economy, their importance in the Soviet economy, and the consequences of their "liquidation" at the end of the 1920s. Alan Ball's history of this experiment with capitalism is strikingly relevant to current efforts toward economic reform in the USSR. [brief]Matches in book (150):...p. 84. 70. For some of these tax decrees, see SZ, 1931, No. 31, art. 237; SZ,......1931, No. 40, art. 279; and SZ,......1932, No. 75, art. 459. 71. Trifonov, Ocherki, p. 130. 72. See, for example,... Similar Items | 73. | | Title: Revenge of the aesthetic: the place of literature in theory today Author: Clark, Michael 1950- Published: University of California Press, 2000 Subjects: Literature | Literary Theory and Criticism | PhilosophyPublisher's Description: This cutting-edge collection of essays showcases the work of some of the most influential theorists of the past thirty years as they grapple with the question of how literature should be treated in contemporary theory. The contributors challenge trends that have recently dominated the field--especially those that emphasize social and political issues over close reading and other analytic methods traditionally associated with literary criticism. Written especially for this collection, these essays argue for the importance of aesthetics, poetics, and aesthetic theory as they present new and stimulating perspectives on the directions which theory and criticism will take in the future. In addition to providing a selection of distinguished critics writing at their best, this collection is valuable because it represents a variety of fields and perspectives that are not usually found together in the same volume. Michael Clark's introduction provides a concise, cogent history of major developments and trends in literary theory from World War II to the present, making the entire volume essential reading for students and scholars of literature, literary theory, and philosophy. [brief]Matches in book (175):...Marvell and the Art of Disappearance......lying, the telling of beautiful untrue things, is the proper aim of art" (W 72).......between literature and the visual arts, considered within the domain of the... Similar Items | 74. | | Title: An unmastered past: the autobiographical reflections of Leo Lowenthal Author: Lowenthal, Leo Published: University of California Press, 1987 Subjects: Sociology | Social Theory | Social and Political ThoughtMatches in book (172):...173 , 223 , 266 ; and function of art, 122 -23, 128 , 172 , 173 , 196 ; Jewish,......revisionism appears in "Eine Art Schadensabwicklung: Die apologetischen......of the sociology of literature as art. Adorno once said, "Works of art . . .... Similar Items | 75. | | Title: Cecil B. DeMille and American culture: the silent era Author: Higashi, Sumiko Published: University of California Press, 1994 Subjects: Cinema and Performance Arts | History | Film | Women's StudiesPublisher's Description: Cecil B. DeMille and American Culture demonstrates that the director, best remembered for his overblown biblical epics, was one of the most remarkable film pioneers of the Progressive Era. In this innovative work, which integrates cultural history and cultural studies, Sumiko Higashi shows how DeMille artfully inserted cinema into genteel middle-class culture by replicating in his films such spectacles as elaborate parlor games, stage melodramas, department store displays, Orientalist world's fairs, and civic pageantry. The director not only established his signature as a film author by articulating middle-class ideology across class and ethnic lines, but by the 1920's had become a trendsetter, with set and costume designs that influenced the advertising industry to create a consumer culture based on female desire. Drawing on a wealth of previously untapped material from the DeMille Archives and other collections, Higashi provides imaginative readings of DeMille's early feature films, viewing them in relation to the dynamics of social change, and she documents the extent to which the emergence of popular culture was linked to the genteel tradition. [brief]Matches in book (180):...practice became the basis for a redefinition of cinema as a democratic art form.......214 n. 12, 240 n. 6. See also Arthur, Art; Hayne, Donald Automobile, 176 Ayres,......Photography by J. Peverell Marley. Art direction by Paul Iribe. Starring Lillian... Similar Items | 76. | | Title: Inside the drama-house: Rama stories and shadow puppets in South India Author: Blackburn, Stuart H Published: University of California Press, 1996 Subjects: Anthropology | Asian Studies | South Asia | Cinema and Performance Arts | HinduismPublisher's Description: Stuart Blackburn takes the reader inside a little-known form of shadow puppetry in this captivating work about performing the Tamil version of the Ramayana epic. Blackburn describes the skill and physical stamina of the puppeteers in Kerala state in South India as they perform all night for as many as ten weeks during the festival season. The fact that these performances often take place without an audience forms the starting point for Blackburn's discussion - one which explores not only this important epic tale and its performance, but also the broader theoretical issues of text, interpretation, and audience.Blackburn demonstrates how the performers adapt the narrative and add their own commentary to re-create the story from a folk perspective. At a time when the Rama story is used to mobilize political movements in India, the puppeteers' elaborate recitation and commentary presents this controversial tale from another ethical perspective, one that advocates moral reciprocity and balance.While the study of folk narrative has until now focused on tales, tellers, and tellings, this work explores the importance of audience - absent or otherwise. Blackburn's elegant translations of the most dramatic and pivotal sequences of the story enhance our appreciation of this unique example of performance art. [brief]Matches in book (34):...SARASVATI: goddess of learning and arts; wife of Brahma SASTRAS : books of......Resources Centre for Folk Performing Arts. Krishna Iyer, K. V. 1973 (1942). The......P. 1986. Rama in Indian Literature, Art, and Thought . 2 vols. Delhi: Sundeep... Similar Items | 77. | | Title: Landscapes of resistance: the German films of Danièle Huillet and Jean-Marie Straub Author: Byg, Barton 1953- Published: University of California Press, 1995 Subjects: Cinema and Performance Arts | Film | German Studies | Intellectual HistoryPublisher's Description: Fervently admired and frequently reviled, Jean-Marie Straub and Danièle Huillet - who have lived and worked together for almost forty years - may well be the most uncompromising, not to say intransigent, filmmakers in the history of the medium. Their radical and deeply political films placed them as forerunners of the New German Cinema movement in the 1960s and influential figures in the subsequent explosion of the European avant-garde. In Landscapes of Resistance , Barton Byg fills a significant gap in modern German and European cinema studies by tracing the career of the two filmmakers and exploring their connection to German modernism, in particular their relationship to the Frankfurt School.Although they are not German themselves, Straub and Huillet have used German material as the basis for the majority of their films. They have transcribed prose by Böll and Kafka, operas by Schoenberg, and verse dramas by Holderlin. Byg explores how their work engages German culture with a critical distance and affection and confronts the artificiality of divisions between high and low culture. [brief]Matches in book (190):...use of this knowledge, and the work of art cannot presume to prescribe how this......Journal from the Royal College of Art (January 1976):97. 53. "Andi Engel Talks......the Left: The Search for a Dialectic of Art and Life (Heidelberg: Carl Winter... Similar Items | 78. | | Title: Hollywood quarterly: film culture in postwar America, 1945-1957 Author: Smoodin, Eric Loren Published: University of California Press, 2002 Subjects: Cinema and Performance ArtsPublisher's Description: The first issue of Hollywood Quarterly, in October 1945, marked the appearance of the most significant, successful, and regularly published journal of its kind in the United States. For its entire life, the Quarterly held to the leftist utopianism of its founders, several of whom would later be blacklisted. The journal attracted a collection of writers unmatched in North American film studies for the heterogeneity of their intellectual and practical concerns: from film, radio, and television industry workers to academics; from Sam Goldwyn, Edith Head, and Chuck Jones to Theodor Adorno and Siegfried Kracauer. For this volume, Eric Smoodin and Ann Martin have selected essays that reflect the astonishing eclecticism of the journal, with sections on animation, the avant-garde, and documentary to go along with a representative sampling of articles about feature-length narrative films. They have also included articles on radio and television, reflecting the contents of just about every issue of the journal and exemplifying the extraordinary moment in film and media studies that Hollywood Quarterly captured and helped to create. In 1951, Hollywood Quarterly was renamed the Quarterly of Film, Radio, and Television, and in 1958 it was replaced by Film Quarterly, which is still published by the University of California Press. During those first twelve years, the Quarterly maintained an intelligent, sophisticated, and critical interest in all the major entertainment media, not just film, and in issue after issue insisted on the importance of both aesthetic and sociological methodologies for studying popular culture, and on the political significance of the mass media. [brief]Matches in book (186):...and important activities of New York's Museum of Modern Art, and the screenings......of San Francisco's Art in Cinema and other societies are now bearing fruit. As......Scenario, Erich von Stroheim. Hamlet. Art-Film, 1920. Director, Svend Gade.... Similar Items | 79. | | Title: The collected essays of Robert Creeley. Author: Creeley, Robert 1926- Published: University of California Press, 1989 Subjects: Literature | English LiteraturePublisher's Description: For nearly four decades, Robert Creeley has been a popular and often controversial force in American poetry and letters. His essays, written from the 1950s to the 1980s and collected here for the first time, show a poet deeply touched by and in touch with the concerns of his post-war generation. His spare prose illuminates many important literary and artistic figures - Ezra Pound, William Carlos Williams, Louis Zukofsky, Charles Olson, Robert Duncan, Allen Ginsberg, Franz Kline, Jackson Pollock, Frank Stella, Willem de Kooning, Philip Guston, John Chamberlain, and others - capturing the essence of their distinctively American achievements. [brief]Matches in book (203):...An Intensely Singular Art"......Feedback: "Contemporary Voices in the Arts"......wish to define his own commitment to this art, "For My Son When He Can Read"—the... Similar Items | 80. | | Title: Writing signs: the Fatimid public text Author: Bierman, Irene A Published: University of California Press, 1998 Subjects: Art | Middle Eastern Studies | Middle Eastern History | LiteraturePublisher's Description: Irene Bierman explores the complex relationship between alphabet and language as well as the ways the two elements are socially defined by time and place. She focuses her exploration on the Eastern Mediterranean in the sixth through twelfth centuries, notably Cairo's Fatimid dynasty of 969-1171. Examining the inscriptions on Fatimid architecture and textiles, Bierman offers insight into all elements of that society, from religion to the economy, and the enormous changes the dynasty underwent during that period. Bierman addresses fundamental issues of what buildings mean, how inscriptions affect that meaning, and the role of written messages and the ceremonies into which they are incorporated in service of propagandist goals. Her method and conclusions provide a pioneering model for studying public writing in other societies and offer powerful evidence to show that writing is a highly charged and deeply embedded social practice. [brief]Matches in book (116):...1998 To the critical issues in Islamic Art History that Oleg Grabar forced us......no longer extant. Peter R. L. Brown, “Art and Society in Late Antiquity,” in The......Weitzmann (Metropolitan Museum of Art and Princeton University Press, 1980), 17–... Similar Items |
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